It's always fun to do a bit of self-examination so here's my entry:
What am I working on?
We're currently on break at the National Academy of Design, where I study painting with Dan Gheno, and so I've been dropping in at Spring Studio in Soho NYC to sketch live models.
My recent drawings are all short poses lasting about 10 to 20 minutes. Rather than doing the full figure I've been focusing on portraits and sections of the torso to study the abstract patterns that occur naturally in the human form.
How does my work differ from others of its genre?
To paraphrase Lucian Freud, my object in painting is to move the senses by giving an intensification of reality. My art explores the fragmentary nature of perception, the selectivity of memory, and the heightened awareness that exists between the artist and subject.
In my paintings I aim for visual tension through opposing colors and brushstrokes. I often introduce an element of discordance, perhaps something that doesn't seem quite right, in order to startle the eye and encourage it to keep looking.
I follow many artists who combine realism and abstraction. I like to think of my own work as a part of this zeitgeist.
My pieces, however, differ from others in that I prefer live models over photographs. I believe that it is important to be in the same room with the model in order to accurately express his or her personality and energy on the canvas.
Why do I create what I do?
As a child I liked to sketch but it was only after seeing the movie Pollock that I decided to attend art school.
Drawing from life is intensely addictive. The focused, non-verbal exploration sometimes fosters a psychological attachment that is similar to transference. Indeed, I have become good friends with many models and have come to appreciate their feedback and points of view.
I believe that portraiture is an essential tradition that enables us to recognize the dignity all humanity. It has been my privilege to continue this practice.
How does my creative process work?
I have documented my creative process with Freddy, Lex, and Christophe.
I start with a realistic drawing then develop it in an expressionistic manner. If a painting takes more than one session, I photograph it and alter the image digitally to explore possible directions.
With these recent studies I've been trying to develop the fragmented, glitched qualities at the very beginning, rather than superimposing them later on in my process.
And now... with great pleasure I hereby nominate the following artists for this blog hop:
Martin Olsson - color field minimalist, based in the UK,
Daniil Belov - plein air landscape artist, based in Russia, and
Troy Stith - sculptor and painter, based in Ohio.
Please click on their links and enjoy their inspiring works. And thanks to all of you for visiting my blog!