These paintings featured profiles and a bit more of the models' torsos, which is a departure from the large scale headshots that have been the focus of my work over the past few years.
These paintings are also more realistic, less glitchy, and in the case of the last two, I also tried to use a brighter palette and abstraction in the background.
Sadly, the National Academy has closed its doors until it finds a new location. But I will continue my studies at the 92nd Street Y next month. I look forward to a new chapter in my art practice.
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